646f9e108c It is August 1941. With the battle line far away in the east, three soldiers who have managed to escape from captivity find it difficult to hide: the territory is occupied by the enemy. The local woods are not safe: you can easily get embogged. Are the villagers loyal? Nobody can say. There is an old man who offers to help them. Is he reliable enough? He may kill them or report them to the local German authorities. Anything may happen, but one of them, the sniper, is his son who is his youngest, his dearest. a Russian war film. or, only, a Russian film. impressive script, admirable acting. and profound role of landscapes images. a movie like a rope. nuances of duty and love, communism and life under occupation, about chance, fear, cruelty and sacrifice, about profound image of reality in a village and splendid eulogy to basic values. so, a film about wars. each detail, each side of violence, the construction of dialogs and the waters of faces are important because , more than a story it is a picture about sense of small gestures,moral force in dark times. as many others movies of genre from Russia, using a noble tradition, it is a Christian movie and, in same measure, reconquest of past events in a new and clear light. I would call this movie "anti-Zvezda". As "Zvezda" was the archetype of the brainless glorification of Russian patriotism, "Svoi" is a kind of archetypal self-indulging praise of the "slavic soul" (for lack of a better term).<br/><br/>The 3 main protagonists are absolute anti-heroes, motivated only by instincts and urges, cunning rather than intelligent, emotional rather than rational, calculating rather than friendly. I felt like the director was patting the audience on the head, saying "see, I show us at our worst, but we're still a great people". A strange case of reverse-patriotism ?<br/><br/>Don't get me wrong : I happen to like the Russian way of thinking myself (as far as a "foreigner" is supposedly able to grasp it :)), but here frankly I think the director went way over the top. The result is a heavily demagogic movie, wading in senseless chaos and human degradation with an all too obvious nihilistic pleasure.<br/><br/>"Svoi" reminded me of the very disappointing sequel "nezavisimaia zhizn'" ("an independent life") of the excellent "zamri, umri, voskresni" (freeze, die, resurrect) from director Vitali Kanevski. I mean to say, "svoi" could have been a very good movie with a bit more finesse and some sense of proportions.<br/><br/>Too bad, since the story in itself has a great potential, the director knows how to shoot powerful and beautiful scenes and the actors are really good. This made my disappointment only worse. But here again, I'm no Russian ;).
anelcopat Admin replied
293 weeks ago